I got fed up with Brussels and all its problems and in November I moved back to Ghent.
I was lucky because friends let my stay for free in a small apartment for a while and then I got even more lucky when I got my old studio back. Now I started experimenting with enamel as well as artificial fur. From that moment on the development of my paintings revolves around two essential questions; one about the sort of paint and one about the sort of canvas.
