1992

1992

I got fed up with Brussels and all its problems and in November I moved back to Ghent.

1992

For a while I lived in a very small apartment but in the meantime I was lucky enough I got my old working studio back.

1992

Of course that didn't stop me from experimenting with enamel as well as artificial fur. From that moment on the development of my paintings revolves around two essential questions; one about the sort of paint and one about the sort of canvas.